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| Current Issue #46 Vol 22, No. 1 ______________
Table of Contents ______________
Ingar
Solty Sriram
Ananthanarayanan Mitchel
Cohen Ravi
Malhotra Thomas
Seibert Peter
Seybold
Anatole
Anton & Richard Schmitt, eds. Rosemary
Feurer Sebastian
Budgen, Stan
Goff Gideon
Polya Robert
Roth Walter
A. Davis Marc
Falkoff, ed. Joel
Shatzky Alexander
Saxton Peter
McLaren & Nathalia Jaramillo Helen
Caldicott Andrew
Kliman Henry
Heller Alexander
Cockburn & Jeffrey St. Clair Paul
Zarembka, ed. Steve
Ellner & Miguel Tinker Salas, eds. Michael
González Cruz Lynn
Hunt Michael
Hardt
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Features By Robert Weil I The Aesthetics of Resistance: Thoughts on Peter Weiss By Inez Hedges In his three-part novel, Die Ästhetik des Widerstands (The Aesthetics of Resistance), published successively in 1975, 1978, and 1981,1 Peter Weiss accomplished for the working class what Sandra Gilbert and Susan Gubar did for feminist theory in 1979 and what Edward Saïd did for postcolonial studies in 1994.2 That is, he provided a sweeping reinterpretation of major elements of the Western cultural canon from the point of view of a hitherto marginalized perspective. To read this novel is to experience a re-education; to be receptive to it is to undergo an intellectual transformation. ----------------------------------------------------------------- Progressive Cuba-Bashing The Current Debate In the mid-1960s, when Che Guevara dropped out of sight to begin his guerrilla campaign in Bolivia, some on the left were asking whether Fidel had had him murdered. In the late 1980s, some were quick to assume that the trial of the Cuban general Ochoa on charges of attempting to organize a drug ring in collaboration with the Medellín cartel was really a political purge. What is striking is that these accusations against Cuba were accepted by so many without investigation, as if the abuses that were alleged were only to be expected and therefore must be true. |
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